Melodifestivalen, what is it? Well it directly translates to Melody Festival. Idiomatically it translates to Song Festival. I’m sure you never would have guessed that, so I’m glad to help. As you all remember my thoroughly in-depth description and analysis of Eurovision 2012, I’m now here to explain how Sweden chooses the song they send to Eurovision. (Get caught up on Eurovision here.)
Eurovision 2013 was held in Sweden, where Denmark won. (If you have been waiting for my analysis of Eurovision 2013, it’s not happening. Sorry for the letdown.) This year the song contest will be held in Denmark.
In order to decide which song will be sent to the Eurovision Song Contest, Sweden has a song contest. What else? Melodifestivalen lasts six weeks, where artists from across the land compete with one another to get the Swedish populace to vote for their songs. (At a price. Imagine if it cost money to vote for American Idol? Think there’d be as many votes? Now imagine you could also choose to call a number where money would go to charity (as they do in Sweden). Imagine…) Anyway…
Melodifestivalen is shown on Saturday nights (high time for lördagsgodis – Saturday candy – remind me to tell you more about this later). The first four showings consist of eight songs competing for your vote. During the first four shows two songs are sent directly to the final competition. Two songs are also sent to the second chance. The competition travels around Sweden and is sent live to all the televisions across Sweden.
The first four weeks the competition is pretty much set up how you would expect it to be. Eight groups/artists perform their songs, and Sweden calls in to vote. The two songs with the most votes get sent directly to the final (and are preformed one more time). The two songs receiving the 3rd and 4th most votes are sent to the second chance week.
Week one in Malmö saw YOHIO with the song “To the End” and Ellen Benediktsom with “Songbird” move directly on to the final. Linus Svenning singing “Bröder” as well as Helena Paparizou with “Survivor” were sent to the second chance competition.
Week two broadcasting from Linköping sent Panetoz and Sanna Nielsen, singing “Efter solsken” and “Undo” respectively, to the final. Martin Stenmarck singing “När änglarna går hem” and JEM singing “Love Trigger” went to the second chance.
In week three the artists sent directly to the final from Göteborg were Oscar Zia with “Yes We Can” and Ace Wilder singing “Busy Doin’ Nothin’”. State of Drama and Outtrigger singing “All We Are” and “Echo” respectively were sent to the second chance.
Then in week four, from Örnsköldsvik (I don’t know where that is either), both Alcazar and Anton Ewand were sent to the final singing “Blame it on the Disco” and “Natural” respectively. Ammotrack singing “Raise Your Hands” and Elinor Holmer with the song “En himmelsk sång” were sent to the second chance show.
Last week, week five was second chance week in Lidköping. Second chance week is a little different from the first four weeks. First, all eight artists/groups perform their songs. Then Sweden calls in to vote (much the same). However after the votes are counted, things get interesting. The top four songs are paired up two and two, and the artists prepare for a duel. The top four songs chosen by Sweden were: “Echo” by Outtrigger, “Survivor” by Helena Paparizou, “När änglarna går hem” by Martin Stenmarck, and “Bröder” by Linus Svenning. Linus sang against Martin Stenmarck, and Outtrigger sang against Helena Paparizou. In the end it was Linus Svenning and Helena Paparizou who walked away with golden tickets to the final competition. (Figuratively, I saw no actual golden tickets.)
The final gets even more interesting than second chance week. It starts in much the same way all the previous competitions have begun. This time, however, ten performances sing their songs for a live audience instead of eight. Sweden then calls in (or texts, not sure if I mentioned yet that you can also text – if you’re not the phone-call-type-of-person). It then gets even more interesting, as 11 international juries also vote on Sweden’s final 10 songs. This year Denmark, Estonia, France, Germany, Israel, Italy, Malta, Netherlands, Russia, Spain and the United Kingdom weighed in. The Swedish people and the 11 international juries have 473 points each to divide amongst the songs.
The points that the people of Sweden award are divided up based on percentage of votes. (If 12% of the votes were awarded to one song that song would receive 12% of 473.) The awarding of the points from the international juries is very similar to that of Eurovision, where the best song receives 12 points, the next 10, then 8, 6, 4, 2 and 1. Once all the votes are counted the winner is announced!
If you ask me….
This year Evelina and I enjoyed the whole of Melodifestivalen comfortably from our couch….or a couch at least during those Saturdays we weren’t at home. However, I highly recommend seeing Melodifestivalen live. In 2012 Evelina and I worked at Cloetta Center in Linköping, along with 6 of our closest teammates during the Melodifestival performance. (Well 6 of our teammates anyway.) We got to see a bunch of fun performances (after hanging everyone’s coat in the coat check). Plus, the jokes from the hosts of the program are just a little bit funnier in person.
The final is right around the corner, a mere 15 minutes away. And if you ask me, I vote for Ace Wilder’s “Busy Doin’ Nothin'” Since you did ask me, I think her song is a lot of fun, and will do the best at the Eurovision Song Contest. It’s not my favorite song in the competition, or necessarily the best song…but, like I said, I think it will do the best at Eurovision. But everything remains to be seen.
If you’re ever in Sweden in February or early March, you now know what to do. (AND you now hopefully understand all the minute details of the Swedish song contest.) When in Sweden…
pictures from svt.se